Rush blended with easiness as the sounds of disturbance are aided by the transfiguration to which the treatment of the effects takes them. The oscillation isn’t worldly as it’s carried by arpeggios of distorted strings of such sharp sound that can be felt almost to the bones, as if they were powerful enough to hurt the naked perception, although –and there is no doubt on this– we are in the other side of the shore, untouchable. A pattern is predicted even within the constant evolving of the structure where organs are manipulated from the dungeons of the soul, both depraved and mad, and yet brought to order by the bass, clean and precise, saving the whole from chaos.